The story of how art was born — and with it, the human self.
Art was born alongside humanity — our invisible twin.
One of the most profound expressions of human nature is the urge to create.
The impeccable composition and anatomy of the bison in the Altamira cave — a passionate and aesthetically refined artwork dating back 15,000 years — still stirs awe.
What compelled our ancestors to spend hours, perhaps days, painting that fresco?
Millennia would pass before art separated from craft and became its own category. A separation so natural and inevitable that it's now hard to imagine a time when art was merely part of craftsmanship.
The lecture “Cradle: Where Everything Begins” explores a pivotal moment in the transformation of human values, self-awareness, and the direction of our cultural evolution.
We’ll step into an ancient world — marvel at the exquisite religious propaganda of Ancient Egypt, shudder at the blood-soaked beauty of Assyrian art, and feel the cool serenity of marble as it gave form to the philosophical ideals of Ancient Greece..
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What is sculpture?
Is it merely a specific medium — or an independent artistic language in its own right? Sculpture has always stood apart as a genre, monumental in its merciless clarity of meaning. Even as a fragment, the Laocoön astounds; and the Burghers of Calais, despite their rags, command reverent awe.
The answer to what sculpture truly is lies in its history — from the first figurines to grand monuments, from the sacred to the personal, from ritual to art.
You’ll explore the story of sculpture — from its timid beginnings in the Paleolithic Venus, through its unique evolution and place in the world of art — in the lecture “Breathing Stone.”
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Figures & consequences of the Avant-Garde.
In January 1905, the workers of Petrograd, led by the priest Georgy Gapon, set out in a peaceful procession to the Winter Palace. One hundred and fifty thousand people, carrying icons and prayers, marched toward the Tsar with a petition: to introduce an eight-hour working day instead of fourteen, to raise wages, and to grant freedom of speech.
A frosty, overcast day — a typical snowy winter in Petrograd. And then the screams of horror and pain, the thunder of rifle fire from the Imperial Guard, the pounding hooves of the Cossack cavalry. Snow that had blanketed the cobblestones melted under hot blood, black boots furiously trampling the bloody mixture into the pavement, leaving a mark not only on the city, but on the entire nation.
Black. White. Red. The colors of an indelible shock from which the modern world as we know it was born. The Avant-Garde is not merely an erasure of aesthetics — it is a revolution in thought.
This is the story of how, from flowing streams of ballroom silk, heavy rose blossoms, and the naked beauty of goddesses, art broke into a merciless rebellion of meanings.
The lecture Big. Fat. Dot. is not simply about the major figures of the Avant-Garde, but about the consequences their actions had for the world as a whole.
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